Summary:
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Elio‘s mid-credits scene confirms continued alien contact and hints at a sequel.
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The post-credits scene introduces Hoppers, Pixar’s next original movie.
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Hoppers is slated for release on March 6, 2026, with a comedic, animal-robot premise.
Pixar’s Elio concludes with a heartfelt message about emotional connection, but the post-credits scenes take the story further. A mid-credits moment hints at future adventures for Elio, while a post-credits tease introduces Hoppers, Pixar’s upcoming movie. Both scenes expand the Pixar universe and open the door to exciting new possibilities.
How Does Elio‘s Mid-Credits Scene Set Up a Sequel?

The mid-credits scene of Elio shows that the titular character remains in touch with the alien Glordon after returning to Earth. Elio is seen with his new human friend Bryce, communicating with Glordon—demonstrating that the bond formed during his galactic adventures has endured.
This interaction confirms two important developments. First, Elio’s connection with the Communiverse is intact, leaving room for future intergalactic missions. Second, the presence of the alien ship on Earth implies that alien life may no longer be a secret, at least among those at the base where Elio returned. This revelation could lead to more human-alien exchanges, establishing a new narrative direction for a possible sequel.
The scene also reinforces Elio’s central themes—friendship, empathy, and meaningful connections—while positioning the young boy as a bridge between Earth and the greater universe.
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What Could a Potential Elio 2 Explore?

The mid-credits interaction lays the groundwork for Elio to return to space in a future sequel. Having proven himself in the original film, Elio may now be formally recognized by the Communiverse as a reliable ambassador or “master negotiator.” His continued friendship with Glordon suggests he may be called back for diplomatic or adventure-based missions.
The sequel could feature Elio embarking on a new interstellar journey, possibly accompanied by Bryce or Aunt Olga. This next step would allow for deeper exploration of interplanetary politics, human integration with alien societies, or personal growth as Elio matures through these unique experiences.
There’s also potential for Earth’s global reaction to confirmed alien existence to be explored—should the Communiverse offer formal inclusion, Elio could play a central role in representing humanity.
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What Happens in Elio‘s Post-Credits Scene?

The brief post-credits scene diverts from Elio’s storyline entirely to introduce Hoppers, Pixar’s next original feature. It begins with a realistic lizard discovering a cellphone. Upon finding the lizard emoji, the creature repeatedly taps it, filling the screen with green icons. The moment ends with a title card reveal for Hoppers.
This scene doesn’t reveal plot details but establishes a light-hearted, comedic tone, aligning with Pixar’s tradition of teasing upcoming films with whimsical sequences.
READ MORE: How to Train Your Dragon After-Credits Scene Explained
What Is Hoppers and When Will It Release?

Hoppers is directed by We Bare Bears creator Daniel Chong and will release on March 6, 2026. The story follows Mabel, a girl dedicated to protecting wildlife from a development project led by Mayor Jerry, voiced by Jon Hamm. To help, Mabel creates a robotic beaver she can “hop” into, enabling her to communicate with animals—including King George, voiced by Bobby Moynihan.
Described by Pixar Chief Creative Officer Pete Docter as an “action-packed comedy spy thriller,” Hoppers is expected to blend humor, action, and environmental themes. The Annecy International Animation Film Festival provided the first insights into the film, confirming its comedic tone and focus on robotic-animal interaction.
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What Other Pixar Films Are Coming Soon?
Following Hoppers, Pixar has several upcoming releases:
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Toy Story 5 – June 19, 2026
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Gatto – June 18, 2027
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Incredibles 3 – 2028
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Coco 2 – 2029
These films continue Pixar’s legacy of combining original stories with beloved franchises, with Elio and Hoppers representing a new wave of storytelling.
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