Key Points:
- Zack Snyder is teaming up with Netflix for a grounded action-thriller, his first in this genre.
- The untitled movie follows an elite LAPD unit, exploring law and morality conflicts.
- Snyder co-writes the film with Kurt Johnstad, his longtime collaborator from 300.
- The project is seen as a possible shift from VFX-heavy films to modest storytelling.
Zack Snyder’s New LAPD Project with Netflix
Zack Snyder, known for his blockbuster projects like 300, Watchmen, and the DC Extended Universe, is venturing into uncharted territory. His upcoming Netflix movie is described as a grounded action-thriller, focusing on an elite LAPD unit grappling with the complexities of law and morality. This marks a significant departure from the VFX-driven epics Snyder is renowned for.
In a statement shared with The Hollywood Reporter, Snyder expressed his excitement:
“Years ago, Dan [Lin, Netflix’s head of film] and I had a conversation about our shared interest in telling a compelling and visceral character-driven story set within the intense, complex and captivating landscape of the LAPD. It’s a conversation that has stuck with me. So, as you would expect, I’m very excited to now have the opportunity to partner with Dan, along with the rest of my amazing partners at Netflix, in developing this story.”
The untitled project reunites Snyder with Netflix, following their successful collaborations on Army of the Dead, Rebel Moon, and Twilight of the Gods. Co-written by Snyder and Kurt Johnstad (300), the film also features production by Snyder’s Stone Quarry banner, alongside his wife Deborah Snyder, and Wesley Coller.
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What Does This Movie Mean for Zack Snyder’s Career?
The LAPD-centric movie is poised to be a creative reset for Snyder, steering away from the CGI-heavy spectacles that have defined his career. While Snyder has delivered fantastical stories like Rebel Moon and Sucker Punch, this film signals a potential shift toward grounded, character-driven narratives.
Interestingly, Snyder’s return to modest storytelling harks back to his early days, such as his work on the Dawn of the Dead remake. The move could reflect a desire for redemption, especially after mixed reactions to Rebel Moon and its director’s cuts.
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This shift aligns Snyder with filmmakers like Michael Bay, who found critical success by embracing smaller-scale projects like Ambulance. Should Snyder adopt a similar approach, the movie could serve as a refreshing turn in his career.
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